It will draw visitors into an unparalleled discovery of wine-growing civilizations from all over the world. Once again, this is all about movement. There is no fixed route to follow, just worlds to discover. The building’s two entrances on either side create an impression of movement, ebb and flow between inside and outside. Sometimes the architecture steps back, in other places it reappears. GTM Bâtiment Aquitaine, filiale de Vinci, a assuré la construction. franceinfo junior.
2 Jan 2017. La Cité du Vin Bordeaux. An iconic building, this golden frame hosts a Cité within the city, a living space with experiences to discover. Et cette structure en bois, donnant à l'intérieur un aspect "cathédrale", support une robe en verre et métal doré constituée de 900 panneaux de verre sérigraphié et de 2.500 panneaux d'aluminium laqué irisé : "On a travaillé sur des teintes dorées car c'est la couleur de référence de la ville de Bordeaux où la pierre est blonde avec des reflets dorés. The value of the Cité du Vin is anchored in two propositions: the construction of a world-class museum in a building with remarkable architecture uniquely suited to its purpose; a spectacular voyage through time, history and the cultures of the world to learn about wine. Overview. Visitors are in a discovery mind-set initiated by the architecture, which creates the right conditions for them to discover and complete this immersive, initiatory journey. The mirror reflections are disorienting and encourage visitors to move upwards towards the light. A strong architectural statement, La Cité du Vin stands out with its bold curves and shape. The wooden structure is reminiscent of a timber frame, of boats, of wine on its travels. Nouvel emblème culturel, touristique et architectural de Bordeaux.
The building’s two entrances on either side create an impression of movement, ebb and flow between inside and outside. Downstairs is therefore a dark world, like a cellar, with the roots of the vines. It is an immersive break with reality, a world of roundness, fluidity and elevation approximating the wine experience. The mirror reflections are disorienting and encourage visitors to move upwards towards the light. All images are © each office/photographer mentioned. These will deliver explanations in real time in the user’s selected language (eight are available), triggered by a device that detects the wearer’s position and sets off the appropriate multimedia content. Une structure de verre et de métal. Program:10 levels between the core and the tower, a permanent tour, three tasting areas including 1 multi-sensory immersive space , a reading room , a boutique concept store, 2 restaurants and a panoramic restaurant Client: City of Bordeaux Owner: Fondation de La Cité du Vin Architects: XTU | Anouk Legendre + Nicolas Desmazières | Project leaders : Mathias Lukacs, Dominique Zentelin On site team: Delphine Isart, Claire Leroux, Thibault Le Poncin, Joan Tarragon Research team : Joan Tarragon, Gaëlle Le Borgne, Stefania Maccagan, Cristina Sanchez Partners: Casson Mann _ Scenographer (innovative tool of the permanent tour) SNC-Lavalin _ Engineering Le Sommer Environnement _Environmental engineering, Calendar: Competition: april 2011 Build: septembre 2013 Delivered in may 2016 Surface area: 12 927 m² usable surface included 2 800 m² of permanent exhibition Site: 13 644 m² Budget: 81M€ excluding VAT/ 55M€ (architecture + scenography) Credits: XTU (1), Delphine Isart (2), Julien Lanoo (3), Patrick Tourneboeuf (4).
As a firm Avesta helps clients, including Ministries of Culture, Cities, Regions, Communities, Real Estate Developers, Private Collectors and Foundations to establish a clear vision for their cultural objectives and to realize their vision for cultural development. You'll now receive updates based on what you follow! It opened in 1984. The latest technological innovations are being used in the scenography, including 3D images, holograms, smell diffusors, music and other interactive tools. Changing with the sunshine or the time of day, the building dialogues with the river through its reflections: there are very close parallels with a wine’s constantly changing appearance. The aim of the experience is genuinely to question rather than let alone.
"La structure bois s'imposait car il se prête très bien à la courbe avec 574 arches différentes", explique Nicolas Desmazières, ajoutant que "le bois est aussi un élément présent dans l'univers du vin avec les barriques et les bateaux qui le transportaient historiquement et qui s'inscrit dans l'environnement aquitain avec la forêt des Landes". This wooden sky rises, undulates and tightens. Une structure de verre et de métal. Delphine Isart, Claire Leroux, Thibault Le Poncin, Joan Tarragon, Joan Tarragon, Gaëlle Le Borgne, Stefania Maccagan, Cristina Sanchez, Casson Mann ,Scenographer (innovative tool of the permanent tour), SNC-Lavalin ,Engineering, Le Sommer Environnement ,Environmental engineering, 81M€ excluding VAT/ 55M€ (architecture + scenography), XTU, Delphine Isart, Julien Lanoo, Patrick Tourneboeuf. ‘This building does not resemble any recognisable shape because it is an evocation of the soul of wine between the river and the city.’, A strong architectural statement, La Cité du Vin stands out with its bold curves and shape.
La Cité du Vin, a prestigious building La Cité du Vin (The City of Wine) has become a must-see location in Bordeaux. In the eyes of XTU, the main tour itself follows these flows: wine, the river, the flow of visitors. In the eyes of XTU, the main tour itself follows these flows: wine, the river, the flow of visitors. The Musée du Vin (in English: Wine Museum of Paris) is a cultural venue in the 16th arrondissement located at 5, square Charles Dickens, Paris, France next to the Trocadéro and the Eiffel Tower. La Cité du Vin dazzles with a golden shimmer reminiscent of the light stone found on Bordeaux facades.
The initial aim was for the building programme to develop in line with the scenography, making the architecture a voyage in itself.
Each person discovers a new world in a fluid, rotating motion leading to an unusual, limitless destination, like a journey through the meanderings of a cultural landscape which feeds the imagination.
They feel this light on the courtyard then follow it through the structure until it finally explodes. Musée du Vin et du Négoce can be crowded, so we recommend booking e-tickets ahead of time to secure your spot. Sometimes the architecture steps back, in other places it reappears.The wooded arch of the permanent tour, the strongest area of La Cité du Vin, is like a varied sky. One entrance faces the city and the other faces the river. The initial aim of the building’s architecture was genuinely to create a link between La Cité du Vin and the spaces surrounding it through perpetual movement. The sky is everything in winemaking, determining the harvest. Anouk Legendre and Nicolas Desmazières, the architects from XTU, designed a space shaped by symbols of identity: gnarled vine stock, wine swirling in a glass, eddies on the Garonne. This very distinctive shape causes you to look at the river running past from a different perspective. This wooden sky rises, undulates and tightens.
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